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| 3. The Sunset Limited (Made for TV, 2011) |
Super-religious Christian ex-con Black (Samuel L. Jackson) stops atheistic professor White (Tommy Lee Jones, who also directed) from killing himself, then brings White back to his apartment where Black tries to convince White there is a god. The two men spend the next hour and a half discussing life, death, the universe and everything; ultimately, Black loses the debate. White leaves, and Black sits back and questions his god's motives for "sending" him to White. The End.
Our take: It's better than it sounds (how can any two-character play with Jackson and Jones debating the meaning of life not be worth watching?), but strangely unmoving. Neither Christians (at least, the ones who know their stuff) nor atheists will come away with any revelations.
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| From: Movie Spoilers/Titles S/Sunset Limited, The (Made for TV, 2011) |
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| 5. Godzilla (1954) |
Gojira
a.k.a. Godzilla, King of the Monsters
After a Japanese fishing boat (as well as a rescue ship sent after it) is lost, scientists and reporters arrive on a nearby island to investigate. The natives say the culprit is Gojira (we like the sound of "Gojira" more than "Godzilla," so "Gojira" it is), some sort of god-like monster to which the natives sacrifice virgins.
Turns out Gojira, the result of a nuclear mishap, is a gigantic lizard-like biped that breathes fire. Fed up with attacks by the military, Gojira heads to Tokyo and stomps the city to pieces. The military tries to electrocute him with high-power lines, but that fails, too, and Gojira makes his further displeasure known with another building-crushing rampage. So much for Tokyo.
Meanwhile, there's a big subplot involving a dude named Serizawa whose fiancee wants to leave him for some other guy, but... who cares, really? Serizawa is the one who finally kills Gojira, coming up with a secret weapon that disintegrates Gojira as the big lizard sleeps at the bottom of the sea. Serizawa then drowns himself so he'll never be tempted to tell anyone how his secret weapon works.
The End. More or less. Except for all the sequels.
Followed by:
Godzilla Raids Again (1955) We need a spoiler!
King Kong vs. Godzilla (1962) We need a spoiler!
Mothra vs. Godzilla (1964) We need a spoiler!
Ghidorah, the Three-Headed Monster (1964) We need a spoiler!
Invasion of Astro-Monster (1965) We need a spoiler!
Godzilla Versus the Sea Monster (1966) We need a spoiler!
Son of Godzilla (1967)
Destroy All Monsters (1968) We need a spoiler!
Godzilla's Revenge (1969) We need a spoiler!
Godzilla vs. the Smog Monster (1971) We need a spoiler!
Godzilla vs. Gigan (1972) We need a spoiler!
Godzilla vs. Megalon (1973) We need a spoiler!
Godzilla vs. Mechagodzilla (1974) We need a spoiler!
Terror of Mechagodzilla (1975) We need a spoiler!
Godzilla 1985: The Legend Is Reborn (1984) We need a spoiler!
Godzilla vs. Biollante (1989) We need a spoiler!
Godzilla vs. King Ghidorah (1991) We need a spoiler!
Gojira vs. Mosura (1992) We need a spoiler!
Godzilla vs. Mechagodzilla (1993) We need a spoiler!
Godzilla vs. Space Godzilla (1994) We need a spoiler!
Godzilla vs. Destroyah (1995) We need a spoiler!
Godzilla 2000 (1999) We need a spoiler!
Godzilla vs. Megaguirus (2000) We need a spoiler!
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) We need a spoiler!
Godzilla Against MechaGodzilla (2002) We need a spoiler!
Godzilla: Tokyo S.O.S. (2003) We need a spoiler!
Godzilla: Final Wars (2004) We need a spoiler!
Remade as:
Godzilla (1998) We need a spoiler!
Read more about Godzilla in our Disaster Movie Database!
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| From: Movie Spoilers/Titles G/Godzilla (1954) |
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| 6. Shutter (2008) |
Newlyweds Ben (Joshua Jackson) and Jane (the very hot Rachael Taylor) move to Tokyo, where Ben works (and has worked in the past) as a photographer. While driving out in the middle of nowhere, they hit a young woman (Megumi Okina, the hapless social worker in 2002's Ju-On) standing in the road — but after the accident, find no trace of her anywhere. Assuming she's well enough to walk away on her own, the couple leave the scene.
A series of strange, seemingly unrelated events happen to both Ben and Jane. Ben experiences recurring neck pain that begins while he's shooting a lavish photo spread for a magazine — from which all the photos are ruined by mysterious streaks (light leak?). A doctor can find no organic cause for the pain in Ben's neck; scant attention is paid to is Ben's inexplicable weight gain. Meanwhile, Jane, navigating her way around her new city, has terrifying visions of the girl she and Ben hit with their car, and begins having nightmares . A physical manifestation also appears in Ben's darkroom. After a disturbing phone conversation, Jane rushes home to find Ben a tad shell-shocked.
Ben's assistant, Seiko (Maya Hazen), introduces Jane to Ritsuo (James Kyson Lee), who works for a paranormal-research magazine. Jane sees one of the other magazine employees Photoshopping ghosts into photographs; Ritsuo agrees that most of the magazine's content is pure bunk, but tells Jane that not all ghost stories are made up; he shows her a room of ghost photos he says are the real thing.
Ben and Jane consult a psychic (Kei Yamamoto), but Ben calls the psychic a fraud and refuses to tell Jane what he had to say.
In the background of Ben's ruined photo shoot is the building where Ben works; since the streaks of light in the photos seem to zero in on the building, Jane goes there to see what she can find. She spends time taking pictures of an empty conference room. A photo, one of many hanging on a wall, falls; it's a group picture that includes the ghost girl who's been following her around. Jane turns the frame over and sees the young woman's name, Megumi, and also the name of the photographer who took the picture — Ben.
Jane demands an explanation from Ben, who admits that he knew Megumi; in fact, they were deeply involved. Ben claims that Megumi was more into him than he was into her, and that after the death of her father, Megumi became unbearably needy and clingy. He finally broke up with her.
Meanwhile, Ben's friend Adam (John Hensley) is shooting pictures of a model when he starts seeing Megumi through the lens of his camera; Adam meets a swift and brutal death when something comes through the viewfinder and pierces Adam's eye. Megumi then drops in on Ben's other friend Bruno (David Denman), who, just as Ben and Jane arrive at his apartment, jumps out of the high-rise to his death.
Back at their own apartment, Jane shows Ben an appearance by Megumi in one of their wedding photos. They figure that Megumi's ghost is really trying to tell them something, so they go to her house, where they find Megumi — not her ghost, but her decomposed body, sitting in a chair with a container of potassium cyanide nearby.
Megumi appears in Ben and Jane's bedroom that night; Jane wakes to find Megumi sexually assaulting Ben. Megumi leaves after a tussle with Jane.
Megumi finally gets a funeral, at which Ben and Jane appear to be the only attendees. Ben and Jane think the nightmare is over, but return to New York anyway.
Alone in their New York apartment, Jane opens some newly-developed photos and sees Megumi in every one of them; the ghost is on the floor of the apartment, apparently crawling toward a large picture of Jane hanging on one wall. Jane takes down the picture to see what's behind it; there is nothing. So she enters a small, closet-like room (Ben's new darkroom-to-be?) behind the picture and starts digging through the stuff piled up inside. She finds a digital camera; she removes the flash card and inserts it into a computer. The photos show Adam and Bruno lolling around on a bed with Megumi, who appears drunk or drugged. The photos show the progression of the encounter; Adam and Ben finally rape Megumi — and it's obvious that Ben, taking the photos, just stood by and watched.
Ben comes home and has to explain himself to Jane: Ben had broken up with Megumi, but she wouldn't leave him alone, so the three men-friends decided to drug her and take compromising pictures of her to use as blackmail fodder if she didn't leave Ben be. Things got out of hand, and Adam and Bruno took turns raping Megumi. Disgusted by the story and by her new husband, Jane leaves.
Ben goes on a photo rampage, taking picture after picture with a Polaroid in order to find Megumi. When he throws the camera across the room, the camera fires; the resulting photo shows Megumi, sitting on Ben's neck — thus, Ben's constant neck pain and bizarre weight gain; when not following Jane around or killing her rapists, Megumi has been spending most of the time riding around on Ben's shoulders.
Half crazed and desperate to rid himself of this millstone around his neck, Ben charges up a large strobe light and jams the working end into his neck, nearly electrocuting himself.
Next thing you know, Ben, clad in a hospital johnny, is sitting on the edge of a bed; he has been institutionalized. A nurse comes in to tend to him and leaves. As the door of the room swings shut, we see, reflected in the door's window, Ben still sitting, hunched over, with Megumi sitting on his shoulders. The End.
Remake of:
Shutter (2004)
See also:
Click (2010)
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| From: Movie Spoilers/Titles S/Shutter (2008) |
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